Directing Fundamentals. Without a strong vision behind a story, a film will lose its focus. A film director needs to have an understanding of how each department contributes to the making of a film and how to best utilize the talents of all team members. The following 100 LEVEL blogs cover the role and responsibilities of a director in script development, pre-production, production, and post production. Read along to learn how to tell a story cinematically, use the camera as a tool, prepare a script analysis and engage in the casting and rehearsal process with actors.
Your first day on set as a director will undoubtedly be memorable.
Every day of film production requires you to have a plan. The question is: can the scheduled work be completed in the allotted time?
Whatever happens, you’ll walk away knowing a lot more about your actors, yourself, and the challenges of directing.
Read MoreAfter all the planning, preparation, meetings, auditions, rehearsals, location scouts, etc. – the first day of principle photography is what all the work has been about.
Your script analysis, thumbnail frames, shotlist, schematics, and meetings with your creative keys have helped build the plan for the production.
Pre-thinking performance notes and details are a vital part of the playbook.
Read MoreThe tech survey is where the rubber hits the road for the directing team: laying out the production plans, the schedule, the start and stop times — basically, everything that’s going to happen for each day of shooting at each set.
The more details and precision, the better. Thoroughness and clarity are key.
Make the most of your tech survey. It sets the tone for your shoot.
Read MoreShow and Tell meetings bring together the various elements of the images you plan to create. They also help you avoid unwanted surprises during principle photography.
Everyone on the filmmaking team wants to deliver their best work. Clear, concise communication and decisive leadership from the director is a must. Effective show and tell meetings begin with the director. Vagueness and uncertainty are not helpful and will likely lead to delays and disappointments on set.
Get all your ducks (and seahorses) in a row!
Read MoreIf there is time to rehearse with your actors ahead of the shoot, great! But it’s important to know what you want to accomplish.
There's a rhythm to rehearsal. It’s the rhythm of exploration, of discovery. There is much to gain if you know what you’re looking for. Step into the moment with your actors. Engage as they engage. Learn from them. Watch them like newborn babies.
Rehearsals can be the key to building better performances. Stay relaxed and have fun.
Read MoreWhen you’re crewing up for camera, lighting, sound, makeup, etc., the role of script continuity can be an afterthought.
I recommend finding someone who wants to do script continuity on every film. It’s an important role in longer form television and feature productions. When you get onto a professional set, they will be beside you for every shot.
Value the support they provide, and you will be a better director.
Read MoreFilms are rarely shot in chronological order. Creating the production plan, crafting an efficient schedule, and deciding on the best order for shooting your film is done with your assistant director.
There are many puzzle pieces to a shooting schedule. Weather forecasts, location access, equipment availability, and actor availability can all create logistical challenges. A well-organized schedule lets you get the work for the day done in the allotted time with strong performances and a sense that everyone is pleased with their efforts.
Take care when building your schedule. It will pay off with a good directing experience.
Read MoreBringing a film to life – and making it good – relies heavily on the script and the director. But the director is not working alone. There are many creative partners who align with the director, and two are of critical importance in pre-production and principle photography – the director of photographer and the production designer.
Working alongside the director, these two creative keys are responsible for crafting the visual images.
Read MoreAs a film director, the focus in your shot is either something that you want and can use, or it’s something that you don’t want and can’t use.
Be happy with your shots and takes. Make them the best they can be. Once you’re in post-production, focus issues cannot be resolved.
Read MoreCreating strong images that are carefully designed with intentional storytelling details is the director’s job. The power and effectiveness of the storytelling lies in the director’s camera choices.
The beginning director must have an understanding of how camera placement and movement can convey the narrative purpose of a shot or a scene.
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