Film Directing 118: The Director and Continuity

Film Directing 118: The Director and Continuity

Embrace continuity and be a better director

When you’re crewing up for camera, lighting, sound, makeup, etc., the role of script continuity can be an afterthought.

I recommend finding someone who wants to do script continuity on every film. It’s an important role in longer form television and feature productions. When you get onto a professional set, they will be beside you for every shot.

Value the support they provide, and you will be a better director.

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Film Directing 114: The Director's Creative Partnerships

Film Directing 114: The Director's Creative Partnerships

Synergy is the goal

Bringing a film to life – and making it good – relies heavily on the script and the director. But the director is not working alone. There are many creative partners who align with the director, and two are of critical importance in pre-production and principle photography – the director of photographer and the production designer.

Working alongside the director, these two creative keys are responsible for crafting the visual images.

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Film Directing 112: The Director's Frame

Film Directing 112: The Director's Frame

Good films need intentional frames

An engaged audience reacts to the director’s choices in every frame. Focus, light, movement, composition, and shot content are factors for every director to consider when constructing a frame.

Ideas for frames grow and multiply through your director’s prep. The writer, John Steinbeck, said it best — 'Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.'

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